Archivist, educator and oral historian interested in the ethics of preservation, community-led memory work, and the power of creating one's own record.
TRANS ORAL HISTORY PROJECT
NYCNYC TRANS ORAL HISTORY PROJECT, IN PARTNERSHIP WITH THE NEW YORK PUBLIC LIBRARY
PROJECT COORDINATOR, 2018–PRESENT
PROJECT COORDINATOR, 2018–PRESENT
The NYC Trans Oral History Project is a trans-led, grassroots community archive collecting, preserving, and sharing trans histories across New York City. Recordings center the insights of vulnerable trans communities, documenting resistance and resilience alongside the intersections of race, poverty, disability, housing, policing, and the AIDS crisis.
As Project Coordinator for eight years, I've personally conducted over 50 interviews with trans New Yorkers of wide-ranging experience — including formerly incarcerated, unhoused, immigrant, and elder narrators from diverse cultural backgrounds — and have been intrinsically involved in facilitating the archive's full collection of 250+ oral histories. I've professionally trained at the Oral History Summer School to conduct interviews ethically, effectively, and efficiently. As a core collective member, I took part in the decision-making that brought the archive into NYPL's permanent special collections, developed bilingual (English/Spanish) accessible materials on oral history methods, built the project's website and podcast distribution across major streaming platforms, organized six public events and a half-day conference at the Park Avenue Armory with leading trans activists and organizers, and led training workshops for new volunteer interviewers.
As Project Coordinator for eight years, I've personally conducted over 50 interviews with trans New Yorkers of wide-ranging experience — including formerly incarcerated, unhoused, immigrant, and elder narrators from diverse cultural backgrounds — and have been intrinsically involved in facilitating the archive's full collection of 250+ oral histories. I've professionally trained at the Oral History Summer School to conduct interviews ethically, effectively, and efficiently. As a core collective member, I took part in the decision-making that brought the archive into NYPL's permanent special collections, developed bilingual (English/Spanish) accessible materials on oral history methods, built the project's website and podcast distribution across major streaming platforms, organized six public events and a half-day conference at the Park Avenue Armory with leading trans activists and organizers, and led training workshops for new volunteer interviewers.
FRANKLIN FURNACE ARCHIVE
NYCLEAD ORAL HISTORY INTERVIEWER, 2026
Franklin Furnace has established a new Oral History Collection, preserved within its archives and shared online for the public.
As the oral historian, I worked with 15 artists from the archive's collection, each interview tracing artist’s lives alongside New York's social, cultural, and political landscape unfolding through the '70s, '80s, '90s, and into the early 2000s.
As the oral historian, I worked with 15 artists from the archive's collection, each interview tracing artist’s lives alongside New York's social, cultural, and political landscape unfolding through the '70s, '80s, '90s, and into the early 2000s.
SOCRATES SCULPTURE PARK
NYC
THE POINT ORAL HISTORY PROJECT
ORAL HISTORY INTERVIEWER, 2026
ORAL HISTORY INTERVIEWER, 2026
As Socrates Sculpture Park approaches its 40th anniversary, The Point Oral History Project is building the park's first public historical record, gathering memories and narratives from the individuals who imagined, built, and transformed Socrates from a riverside landfill into a space for art, ecology, and public life.
As Oral History Interviewer, I conducted interviews for the project, contributing to this record alongside The Point Digital Archives Project.
VOICE OF WITNESS
SF
STORYTELLER INITIATIVE FELLOW, 2023
SAN FRANCISCO, CALIFORNIA
SAN FRANCISCO, CALIFORNIA
The Storyteller Initiative is a fellowship supporting artists, oral historians, and storytellers from historically marginalized communities in developing a project rooted in oral history methods and ethical storytelling. Fellows receive funding, training, and mentorship, drawing on Voice of Witness's 15+ years of ethics-driven oral history and human rights storytelling work.
As a Fellow, I received institutional support and support in working with the NYC TOHP’s ongoing archive.
Oral History Workshops
Queer Legacies Project
Queer Legacies Project
FEATURED ARCHIVIST, OCTOBER 2026
As Featured Archivist, I opened the workshop with a presentation drawing on my work from 2018 to present. Participants then moved into hands-on digital archiving sessions and recorded conversations about their collections.
Learn more about the workshop here.
Oral History Workshops
Ethical Digitization Considerations
FACILITATOR, JUNE 2024
As Facilitator, I co-led the workshop alongside Allison Elliott, drawing on my work with the NYC Trans Oral History Project to guide participants through hands-on exercises on consent, access, and healing-justice-centered interviewing, building an ethical framework for grassroots, trauma-informed archival work.
Learn more about the workshop here.
Local Voices Network Group Discussion
Ethical Digitization Considerations
FACILITATOR, 2021
As a Facilitator, I helped lead both conversations, centering conversations on the health and well-being of community members as a place to draw valuable information missing from mainstream accounts.
Listen here.
Maryland Institute College of Art
Baltimore
PART-TIME FACULTY & CURRICULUM DESIGNER
INTERDISCIPLINARY SCULPTURE, 2025–PRESENT
Go Project, Swiss Institute
NYGO PROJECT
AT SWISS INSTITUTE TEACHING ARTIST, 2019
As Teaching Artist, I led a class for 10th–12th grade students focused on ritual object-making, in partnership with the Swiss Institute.
Context Clues, Leslie-Lohman Museum
NYCONTEXT CLUES WORKSHOP
FACILITATOR (WITH ARISTILDE KIRBY), 2024
FACILITATOR (WITH ARISTILDE KIRBY), 2024
As Facilitator, I co-led the workshop with poet Aristilde Kirby, drawing on my sculpture and performance practice's engagement with ritual, faith, and the technologies of spiritual and political surveillance.